AI is reshaping the art world, opening doors to new creative possibilities while challenging our ideas of authorship and expression. As artists, we face both excitement and unease, caught between speed, innovation, and the human touch. This is not a journey but a first look—opening the door to the good, the bad, and the ugly of AI in art.
Un viaje a la infancia. Una oda a la vida. Tótem, el film de la directora Lila Avilés, estrenado en la Berlinale, nos transporta a la infancia. Somos esa niña pequeña que escucha, observa y siente vivamente que los adultos le ocultan algo. Secretos solo de mayores. En Tótem, la lenta muerte del padre de Sol, la protagonista, interpretada por Naíma Sentíes. Una niña de siete años.
Lichter, verschwommene Gesichter in der Dunkelheit, Schweiß. Ein Zufluchtsort, wo alle Sorgen draußen bleiben und wo man den Moment lebt, mit seinen Freunden lacht und nie wieder in die wirkliche Welt zurückkehren will. The Best in jungle zieht uns in eine ewige Feier hinein, wo ein Mädchen und ein Junge sich verlieben, jedoch entscheiden Freunde zu bleiben. (Zu unserer Frustration).
We see how a father stops the car, goes out and hits his head against a blue wall, blood spills over his face. Eva, his teenage daughter steps out trying to stop him. And just like that you have a killer film opening that raises questions and you are hooked. Why does the father have this irrational outbursts of violence? How will it affect the world of our heroin? This are the questions that will take us through the second act.
